Red Fort

Red fort is one of the great historical monument of India. It is known as red fort because there is too much use of red stones in construction of red fort. And because of the extensive use of red stones in the great walls of the fort it is known as red fort(LAL QILA).

Taj Mahal

Taj Mahal The Taj Mahal of Agra is one of the Seven Wonders of the World, for reasons more than just looking magnificent. It's the history of Taj Mahal that adds a soul to its magnificence: a soul that is filled with love, loss, remorse, and love again.

India Gate

India Gate At the centre of New Delhi stands the 42 m high India Gate, an "Arc-de-Triomphe" like archway in the middle of a crossroad.

Agra Fort

Agra Fort is a UNESCO World Heritage site located in Agra, India. The fort is also known as Lal Qila, Fort Rouge and Red Fort of Agra. It is about 2.5 km northwest of its much more famous sister monument, the Taj Mahal.

Wednesday 19 March 2014

Gulmarg ( गुलमर्ग )


Gulmarg

Gulmarg's legendary beauty, prime location and proximity to Srinagar naturally make it one of the premier hill resorts in the country. Originally called ‘Gaurimarg’ by shepherds, its present name was given in the 16th century by Sultan Yusuf Shah, who was inspired by the sight of its grassy slopes emblazoned with wild flowers. Gulmarg was a favourite haunt of Emperor Jehangir who once collected 21 different varieties of flowers from here. Today Gulmarg is not merely a mountain resort of exceptional beauty- it also has the highest green golf course in the world, at an altitude of 2,650 m, and is the country's premier ski resort in the winter.
The journey to Gulmarg is half the enchantment of reaching there-- roads bordered by rigid avenues of poplar give over to flat expanses of rice fields interspersed with picturesque villages. Depending on the season, nature's colours could be the translucent green of spring, summer’s rich emerald, or autumn’s golden hues, when scarlet chillies festoon windows of village homes. After Tangmarg, the climb to Gulmarg begins through fir-covered hillsides. At one point, known simply as View Point, travelers generally stop their vehicles for a few minutes and look out a spectacle of snow-covered mountains, almost within touching distance.
What to do:
Horse riding/Hiking
Cable car riding to Khilanmarg
Golf playing
Snow Skiing during winter months (End Dec -Middle March)

Lord Amarnath ( अमरनाथ मंदिर )


Lord Amarnath

Amarnathji Yatra - a journey into faith
"The Himalayan pilgrimages are the oldest organised travel system, evolved over time by Hindu sages and embodying the spirit of wander, adventure and spirituality"
One of the holy trinity, Shiva is a living god. The most ancient and sacred book of India, the Rig Veda evokes his presence in its hymns. Vedic myths, ritual and even astronomy testify to his existence from the dawn of time.

Shiva is known to have made his home in the Himalayas. He built no house nor shelter, not for himself or his bride. He was an ascetic, and yet married; he could be both for "he was the wild god sporting in the forest or taking his ease on a cloud."

Kashmir - Amarnathji Yatra
Legend has it that Shiva recounted to Parvati the secret of creation in the Amarnathji cave. Unknown to them, a pair of mating pigeons eavesdropped on this conversation and having learned the secret, are reborn again and again, and have made the cave their eternal abode. Many pilgrims report seeing the pigeons-pair when they trek the arduous route to pay obeisance before the ice-lingam (the phallic symbol of Shiva).

AmarnathJi - The Yatra Procession                      
The trek to Amarnathji, in the month of Shravan (July - August) has the devout flock to this incredible shrine, where the image of Shiva, in the form of a lingam, is formed naturally of an ice - stalagmite, and which waxes and wanes with the moon. By its side are, fascinatingly, two more ice - lingams, that of Parvati and of their son, Ganesha.
According to an ancient tale, there was once a Muslim shepherd named Buta Malik who was given a sack of coal by a sadhu. Upon reaching home he discovered that the sack, in fact, contained gold. Overjoyed and overcome, Buta Malik rushed back to look for the sadhu and thank him, but on the spot of their meeting discovered a cave, and eventually this became a place of pilgrimage for all believers. To date, a percentage of the donations made by pilgrims are given to the descendants of Malik, and the remaining to the trust which manages the shrine.
Yet another legend has it that when Kashap Reshi drained the Kashmir valley of water (it was believed to have been a vast lake), the cave and the lingam were discovered by Bregish Reshi who was travelling the Himalayas. When people heard of the lingam, Amarnathji for them became Shiva's abode and a centre of pilgrimage.
Whatever the legends and the history of Amarnathji's discovery, it is today a very important centre of pilgrimage and though the route is as difficult to negotiate as it is exciting, every year, thousands of devotees come to pay homage before Shiva in one of his famous Himalayan abodes.

Situated in a narrow gorge at the farther end of Lidder valley, Amarnathji stands at 3,888 m and is 45 km from Pahalgam and 141 km from Srinagar. Though the original pilgrimage subscribes that the yatra be undertaken from Srinagar, the more common practice is to begin the journey from Pahalgam, and cover the distance to Amarnathji and back in four or five days. Pahalgam is 96 km from Srinagar.

Since the base point for the pilgrim's trek is picturesque Pahalgam, a large tented township springs up to accommodate the pilgrims. The conduct of the yatra is a gigantic task in which the State Government takes the assistance of the security departments for providing security and helping to keep the route open. All intermediate halting places have the same kind of facilities as are provided at Pahalgam, and a Yatra Officer is appointed to conduct the pilgrimage.

Charminar ( चारमीनार )


Charminar


The Charminar, built in 1591 AD, is as much the signature of Hyderabad as the Taj Mahal is of Agra or the Eiffel Tower is of Paris.
The English name is a transliteration and combination of the Urdu words Char and Minar, translating to "Four Towers"; the eponymous towers are ornate minarets attached and supported by four grand arches. The landmark has become a global icon of Hyderabad, listed among the most recognized structures of India. The Charminar is on the east bank of Musi river. To the northeast lies the Laad Bazaar and in the west end lies the granite-made richly ornamented Makkah Masjid.
Charminar has the signature style of Islamic architecture. This great tribute to aesthetics looks sturdy and solid from a distance and, as one moves closer, it emerges as an elegant and romantic edifice proclaiming its architectural eminence in all its detail and dignity. Charminar is a beautiful and impressive square monument.
Sultan Muhammad Quli Qutb Shah, the fifth ruler of the Qutb Shahi dynasty built Charminar in 1591 AD, shortly after he had shifted his capital from Golkonda to what is now known as Hyderabad. He built this famous structure to commemorate the elimination of a plague epidemic from this city. He is said to have prayed for the end of a plague that was ravaging his city and vowed to build a masjid (Islamic mosque) at the very place where he was praying.
It is said that, during the Mughal Governorship between Qutb Shahi and Asaf Jahi rule, the south western minaret "fell to pieces" after being struck by lightning and "was forthwith repaired" at a cost of Rs 60,000. In 1824, the monument was replastered at a cost of Rs 100,000.
The Charminar is a square edifice with each side 20 meters (approximately 66 feet) long, with four grand arches each facing a cardinal point that open into four streets. At each corner stands an exquisitely shaped minaret, 56 meters (approximately 184 feet) high with a double balcony. Each minaret is crowned by a bulbous dome with dainty petal like designs at the base. A beautiful mosque is located at the western end of the open roof and the remaining part of the roof served as a court during the Qutb Shahi times. There are 149 winding steps to reach the upper floor. Once atop, the solitude and serenity of the beautiful interior is refreshing. The space in the upper floor between the minarets was meant for Friday prayers. There are forty-five prayer spaces.
In its heyday, the Charminar market had some 15,000 shops. Today the famous markets known as Laad Baazar and Pather Gatti, near the Charminar, are a favour, of tourists and locals alike for jewellery, especially known for exquisite bangles and pearls respectively.
The Traditional Food, like Biryani, Haleem, Mirchi ka salan, Double Ka Meetha etc. is available around Charminar. The area is also famous for its variety of shops. During the season of Sankranthi, the area is completely crowded with vendors selling kites.
In 2007, Hyderabadi Muslims living in Pakistan constructed a small-scaled quasi replica of the Charminar at the main crossing of the Bahadurabad neighborhood in Karachi.

Gateway Of India ( गेटवे ऑफ इंडिया )


Gateway Of India


This is how the Gateway of India History goes. Gateway of India is the popular monumental building in the South Mumbai City area near Apollo Bunder. The architect of the Gateway of India monument is built in the combination of the Hindu and Muslim style. The Gateway of India is built from the yellow color basalt rock and the reinforced concrete. The stone which was used for Gateway of India construction was transported from Gwalior city.

The central dome of the Gateway of India is fifteen meters (49 feet) in diameter and is twenty six meters (85 feet) above the ground which is the highest point. The construction cost Gateway of India was all borne by the Government of India.

The Gateway of India has become the most famous monument of the city Mumbai. The Gateway of India was constructed by the King George V and Queen Marry to Bombay, before the Darbar in Delhi in December 1911. The foundation stone of the Gateway of India monument was laid down on 31st day of March in the year 1913 and George Wittet ‘s final design of the Gateway of India was approved in August 1914.

Among main facts of Gateway of India history, there are some notable facts. The specialty about the Gateway of India is that people who comes to Mumbai greets the monument which is situated at the imperial bygone area of the Mumbai city. When people pass through the gateway of India monument the first scene that is visible is the beautiful water front at the South Mumbai.
The construction of Gateway of India is as per the style of Indo- Saracenic style. Indo- Saracenic style was more popular in Gujarat state of India in the 16th century. On the top of the Gateway of India building, there is a central dome which is having the diameter of fifteen meters.

The major purpose of the construction of the Gateway of India is the celebration of the visit of the King George V and Queen Marry to Bombay. Sir George Clark later has laid the foundation stone of the monument in 1911. The designing plan of Gateway of India monument was approved in the year 1914 and the reclamation was done in 1914 in the Apollo Bundar. The Gateway of India monument was completely designed by the George Wittet and the whole construction period took almost 4 years to be completed.

The ever first major event that happened in the Gateway of India was the passing of the First Battalion of the Somerset Light Infantry troops. That was also the last troop of the British Army to leave the country of India after independence. This event was happened on 28th of February 1948.

The Gateway of India monument faces the beautiful scene of Arabian ocean which attracts the Mumbai city. The Gateway of India is the must visit tourist place specially visiting during the night time is fund. The Gateway of India History has everything that well preserved for the future generation to come!

India Gate ( इंडिया गेट )

India Gate


At the centre of New Delhi stands the 42 m high India Gate, an "Arc-de-Triomphe" like archway in the middle of a crossroad. Almost similar to its French counterpart, it commemorates the 70,000 Indian soldiers who lost their lives fighting for the British Army during the World War I. The memorial bears the names of more than 13,516 British and Indian soldiers killed in the Northwestern Frontier in the Afghan war of 1919.

The foundation stone of India Gate was laid by His Royal Highness, the Duke of Connaught in 1921 and it was designed by Edwin Lutyens. The monument was dedicated to the nation 10 years later by the then Viceroy, Lord Irwin. Another memorial, Amar Jawan Jyoti was added much later, after India got its independence. The eternal flame burns day and night under the arch to remind the nation of soldiers who laid down their lives in the Indo-Pakistan War of December 1971.

The entire arch stands on a low base of red Bharatpur stone and rises in stages to a huge moulding. The cornice is inscribed with the Imperial suns while both sides of the arch have INDIA, flanked by the dates MCMXIV (1914 left) and MCMXIX (1919 right). The shallow domed bowl at the top was intended to be filled with burning oil on anniversaries but this is rarely done.

During nightfall, India Gate is dramatically floodlit while the fountains nearby make a lovely display with coloured lights. India Gate stands at one end of Rajpath, and the area surrounding it is generally referred to as 'India Gate'.


Surrounding the imposing structure is a large expanse of lush green lawns, which is a popular picnic spot. One can see hoards of people moving about the brightly lit area and on the lawns on summer evenings.


Red Fort ( लाल किला )

Red Fort


Red fort is one of the great historical monument of India. First of all we will start from its name. It is known as red fort because there is too much use of red stones in construction of red fort. And because of the extensive use of red stones in the great walls of the fort it is known as red fort (LAL QILA). In 1638 Mughal king Shah Jahan has decided to shift  his capital in Delhi from Agra and thus Shah Jahan started the construction of red fort at the bank of the Yamuna river in old Delhi. He assigns Ustad Ahmed and Ustad humid as an architect for constructing a royal palace. Construction of red fort was completed by Shah Jahan in the year of 1648. Red fort is originally known as 'Qila-I-Mubarak'. The reason behind this name is that it was the residence of the royal family.


The attraction of red fort is the great and huge wall of red fort. The wall has two entrances, one at the  Lahore gate and another at the Delhi gate. Lahore gate is the main entrance point of red fort. This wall is assuming that a 2 km long which looks awesome in red stones. So friends this the great history behind the Red fort, which is constructed by the Mughal king Shah Jahan  in 1648. I must say that visit this place at least once in your life. Have a nice day.

Qutub Minar ( क़ुतुब मीनार )


Qutub Minar

Qutab Minar is a soaring, 73 m-high tower of victory, built in 1193 by Qutab-ud-din Aibak immediately after the defeat of Delhi's last Hindu kingdom. The tower has five distinct storeys, each marked by a projecting balcony and tapers from a 15 m diameter at the base to just 2.5 m at the top. The first three storeys are made of red sandstone; the fourth and fifth storeys are of marble and sandstone. At the foot of the tower is the Quwwat-ul-Islam Mosque, the first mosque to be built in India. An inscription over its eastern gate provocatively informs that it was built with material obtained from demolishing '27 Hindu temples'. A 7 m-high iron pillar stands in the courtyard of the mosque. It is said that if you can encircle it with your hands while standing with your back to it your wish will be fulfilled.

The origins of Qutab Minar are shrouded in controversy. Some believe it was erected as a tower of victory to signify the beginning of the Muslim rule in India. Others say it served as a minaret to the muezzins to call the faithful to prayer.

No one can, however, dispute that the tower is not only one of the finest monuments in India, but also in the world. Qutab-ud-din Aibak, the first Muslim ruler of Delhi, commenced the construction of the Qutab Minar in 1200 AD, but could only finish the basement. His successorIltutmush, added three more storeys, and in 1368,Firoz Shah Tughlak constructed the fifth and the last storey.

The development of architectural styles from Aibak to Tughlak is quite evident in the minar. The relief work and even the materials used for construction differ. The 238 feet Qutab Minar is 47 feet at the base and tapers to nine feet at the apex. The tower is ornamented by bands of inscriptions and by four projecting balconies supported by elaborately decorated brackets. Even though in ruins, the Quwwat Ui Islam (Light of Islam) Mosque in the Qutab complex is one of the most magnificent structures in the world. Qutab-ud-din Aibak started its construction in 1193 and the mosque was completed in 1197.


Iltutmush in 1230 and Alla-ud-din Khilji in 1315 made additions to the building. The main mosque comprises of an inner and outer courtyard,decorated with shafts and surrounded by piller. Most of these shafts are from the 27 Hindu temples, which were plundered to construct the mosque. It is, therefore, not surprising that the Muslim mosque has typical Hindu ornamentation. Close to the mosque is one of Delhi's most curious antiques, the Iron Pillar.

Ajanta Caves ( अजांठा गुफा )


Ajanta Caves

Ajanta and Ellora are the pride of Maharashtra. The rock-cut caves of both these sites are world famous and illustrate the degree of skill and artistry that Indian craftsmen had achieved several hundred years ago. Ajanta dates from 100 B.C. while Ellora is younger by some 600 years. The village of Ajanta is in the Sahyadri hills, about 99 kms. From Aurangabad; a few miles away in a mammoth horseshoe-formed rock, are 30 caves overlooking a gorge, `each forming a room in the hill and some with inner rooms. Al these have been carved out of solid rock with little more than a hammer and chisel and the faith and inspiration of Buddhism. Here, for the Buddhist monks, the artisans excavated Chaityas (chapels) for prayer and Viharas (monasteries) where they lived and taught. Many of the caves have the most exquisite detailed carvings on the walls, pillars and entrances as well as magnificent wall paintings.

These caves were discovered early in the 19th century quite by chance by a party of British Officers on manoeuvres. Today the paintings and sculptures on Buddha’s life, belonging to the more mellow and ritualistic Mahayana Buddhism period, are world famous. Copies of them were shown in the Crystal Palace exhibition in London in 1866. These were destroyed in a fire there. Further copies were published soon afterwards and four volumes of reproductions were brought out in 1933 by Ghulam Yazdani, the Director of Archaeology of the then Hyderabad State. Ajanta has formed an epicentre of interest for those who appreciate and are eager to know more about Indian history and art.

Ajanta Cave It is a protected monument under the Archaeological Survey of India and has been listed in the World Heritage list of monuments.The 30 caves of Ajanta were created over a span of some 600 years.
In their range of time and treatments they provide a panorama of life in ancient India and are a source of all kinds of information... hair styles, ornaments, textiles, musical instruments, details of architecture, customs etc. It was from this collection of classical Indian art that a particular style was formed that traveled with Buddhism to many parts of the world. Similar paintings can be seen in Sigiriya in Sri Lanka, Bamiyan in Afghanistan, temples and shrines in Tibet, Nepal, China and Japan.

Royal patronage made Ajanta possible. Professional artists carried out much of the work and each contributed his own individual skill and devotion to this monumental work.

Visitors often ask how the artist who painted the detailed frescoes and chiseled out the intricate carvings, managed to work in the dark interiors of the caves. It has been noticed that the caves are illuminated by natural light for part of the day and it is presumed that metal mirrors or sheets of white cloth were used to reflect sunlight into the inner recesses.

Here, briefly, are some of the highlights of the caves. In the Cave 26, the sculpture is elaborate and beautiful though the painted frescoes are incomplete. The arched chapel window set in an elegantly simple façade, is repeated in an elaborate frontage in Cave 19 with its complete Chaitya and a slender votive stupa enclosing a standing Buddha at the far end. Of particular note is a sculpture of a seated Nagaraja with his consort and female attendant.
Cave 16 is an elegant Vihara with an inscription that mentions the king and his minister who had the cave built. Here a towering Buddha sits preaching. He is flanked by attendants with fly whisks.

Ajanta Cave No.1 There are undamaged portions of the wall paintings that are clear and vibrant in Caves 1, 2, 16 and 17. Cave I has the well known Bodhisattva Padmapani which is a wonderful portrayal of tender compassion. A gentle figure holding a lotus delicately in one hand.

In the same cave is the golden figure of Avalokiteswara, elaborately adorned. The women, nymphs, princess and attendants are elegant and beautifully attired. Here also is a lively panel of dancing girls and musicians. In Cave 2 there is a detailed panel of Queen Maya’s dream, of the white elephant which was interpreted by royal astrologers to mean the birth of an illustrious son. The row upon row of Buddhas, can be seen in this cave. In Cave 17, there is a flying apsara in a fashionable embroidered turban and splendid jewellery.


It is worth walking away from the caves in order to look back on to the horseshoe gorge. The ingenuous water cistern system can be seen which must have provided water for the monks and their visitors. Ajanta was on the ancient trade route leading to the coast so there must have been considerable activity and many visitors. Nobody really knows what life was like in those times and visitors can interpret the past as they wish, which is perhaps yet another secret charm of Ajanta.